Friday, 28 February 2014

PUBLISHING AND COPYRIGHTING

RIGHTS OF USE
Publishing rights are the rights to use a piece of music that have to be obtained from the people who own the copyright to the piece of music. Publishing rights are the right to the lyrics and composition and only exists after the music or words have been recorded or written down. As opposed to a recording license, this needs to be obtained from the person who performed the piece of music. For example the use of a cover recording of a song. The Recording rights will need to come from the performer.

To clear a piece of music so you can use it in a film you would need to contact the publishers and find out who owns the rights to the music. Then you would need to get permission from them to use the music. Often you will need to pay for this and it can be very expensive. Alternative methods are using license free music. There are websites that people can put there music on and you can use them freely. For my film i used a friend who i knew made music and asked him directly if i could use it in my film. He was happy for me to do so.

If the composer has been dead for over 70 years then copyright expires and you dont need to seek clearance for the composition. However you will still need to get clearance from the rights holder of the recording to use it.

Incidental music works as the soundtrack to a play, film, video game, tv programme, radio show or something that isn't primarily musical. It is less common for music in film to be referred to as incidental music but more often as the 'sound track' or 'score'

CREATIVE COMMONS 


Creative commons is an organisation that are expanding the number of creative works for others to use and share legally. They release copyright license that are free to the public.

Creative commons allows people to share creative work on the conditions of your choice. It allows more freedom and flexibility than regular copyright procedures. It means people can easily change conditions of copy right. It also means the people using the work dont have to worry about copyright infingment but they are still required to abide by the conditions set.


THE LICENSES
1.
Attribution 
CC BY 
This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation. This is the most accommodating of licenses offered. Recommended for maximum dissemination and use of licensed materials.

2.
Attribution-ShareAlike  



CC BY-SA 

This license lets others remix, tweak, and build upon your work even for commercial purposes, as long as they credit you and license their new creations under the identical terms. This license is often compared to “copyleft” free and open source software licenses. All new works based on yours will carry the same license, so any derivatives will also allow commercial use. This is the license used by Wikipedia, and is recommended for materials that would benefit from incorporating content from Wikipedia and similarly licensed projects.

Attribution-NoDerivs  


CC BY-ND

This license allows for redistribution, commercial and non-commercial, as long as it is passed along unchanged and in whole, with credit to you. 

Attribution-NonCommercial
CC BY-NC 

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.



Attribution-NonCommercial-NoDerivs
CC BY-NC-ND
This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.
  
Attribution-NonCommercial-ShareAlike
CC BY-NC-SA
This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

MY CHOICE OF MUSIC
https://soundcloud.com/bcidemusic/lay-low

I choice this music because i knew that a large portion of film was dialog so straight away i knew i would need a neutral instramental track. I thoiught this one would be suited because it has a repetetive tempo which reflected the mundane atmosphere of a school but i think it also had an underlying tone of tension which added to the atisipation something unusual was going to happen. 
and it was not likely to over power the voice over and dialog in the film. 

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